Lime Green
Let me tell
you about the smell of limes in the late-February late-afternoon, when the fire
is lit and I have come down from upstairs where I have been working or playing
in my study. And I bring a book for amusement, but my partner has been busy and
he has the fire laid – so the first smell is the smoke that drifts – a tiny bit
of it, enough to salt the room – into the living room as the fire starts to
take. We close the curtains, because it is dark now or dusk, and we will not
want to know what is happening out there – we are entirely in this world that
we make for ourselves.
My partner
brings out the book: Time-Life on how to make cocktails. He leafs through –
what cocktail shall we have tonight? I am drifting through Twitter to see what
the people I follow are having – Guy Gavriel Kay likes a Boulevardier – a version
of Negroni made with bourbon instead of gin. We also like a Martini – dry,
with gin, and a little dirty with an olive or three.
So I sit in
the leather chair by the fire, reading my book, while in the kitchen my partner is
mixing the drink of the evening – his favourite is the dark Negroni, so that’s
what we’ll have tonight. Equal parts of gin, Campari, and sweet vermouth. Somehow
the herbs and alcohol of the gin, the bitterness of the Campari and the
sweetness of the vermouth all weave together into a whole, the magic assisted
by two lumps of ice, which break down the borders, making these neighbours
huddle together and become one under the umbrella of darkness, a name full of
suggestion, of blackness, secrets.
But the
drink is not complete. I am still reading my book, lost in a fantasy world and
sometimes in the fire as is struggles to conquer the wood and reduce everything
to char.
A Negroni
requires a touch of citrus. Some recipes say orange, Time-Life says lemon, but
tonight we have neither, and so this will be a Negroni with lime. The recipe
says do not twist, but a little twist releases the volatile oils in the fruit.
If you could see it magnified, you would see a spray of lime essence, released
into my glass, as the little bit of green is planted into the earthy brown of the
drink.
For a
Negroni is brown – rich red-brown like humus, or decaying leaves, and its smell
is a complex of herbs and bitterness – the sweetness is never enough to let you
forget that its essence is bitter. And when you use a bit of orange peel the colour
and the smell tend to autumn – the colour of dying leaves, of ripening squashes
and root vegetables. But tonight, we have lime. The smell is sharp, full of new
growth and liveliness, acid like something restless and moving. And the colour
is green. Not a mellow green – but a sharp bright insistent yellow-green – no
one is going to sleep with this green in the room. This is not a fall colour.
This is not a colour for winter, when we revel in the warmth of reds and
browns. This is pure, unrelenting spring – WAKE UP!
How can
there be this bit of green in my cocktail? Disrupting my fireside, the
coziness of my rich brown alcoholic haze with LIME GREEN! There is still snow
on the ground, but I am suddenly sure that when I stumble out in the morning, I
will see the thrusting tips of snowdrops. The green of my lime peel is muted,
softened by the swirl of earthy liquid, but as I sip, each savoured mouthful
carrying just at the back of my teeth the hint of something sharp and green,
the liquid level drops with every sip. Lower and lower, until, the last
splendid sip gone, my glass has only this piece of lime, bright blinding green
in the bottom of the glass.